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<i>The Therepsiton</i>, a performance by Vladimir Yermachenkov and Oleg Makarov
Léon Theremin (1896–1993), the famous creator of the <i>thereminvox</i> (1920), designed an electronic instrument called <i>therepsitone</i> (1978) for Lidia Kavina, his cousin’s granddaughter (b. 1967). The dance artist Vladimir Yermachenkov and the composer Oleg Makarov, an engineer at the Moscow Conservatory’s Center for Electroacoustic Music, staged a performance specifically for this instrument. A unique specimen of the <i>therepsitone</i> occupies an important place at the exhibition “To Archive the Present Time” in the Art Space “Artemyev”.
7 December 2024
The CEAM Conference “To Archive the Present Time.” Day Five
The Third International Conference “To Archive the Present Time” organized by Tchaikovsky Moscow State Conservatory Scholarly and Art Center for Electroacoustic Music. The Artemyev Center
9 November 2024
The CEAM Conference “To Archive the Present Time.” Day One
Opening Ceremony and the first day of the Third International Conference “To Archive the Present Time” organized by Tchaikovsky Moscow State Conservatory Scholarly and Art Center for Electroacoustic Music. The Artemyev Center
5 November 2024
Nikolai Popov’s lecture <i>Electroacoustic Composition</i>
Nikolai Popov is one of Russia’s leading authors in the area of electroacoustic and multimedia music, Head of Tchaikovsky Moscow State Conservatory’s Center for Electroacoustic Music. <i>CEAM Education</i> is a series of lectures and concerts in the <i>Artemiev</i> Art Space.
2 October 2024
Lecture on the History and Aesthetics of Electroacoustic Music by Oleg Makarov
Oleg Makarov is a composer, media artist, developer of hardware and software interactive systems and instruments, engineer at CEAM and lecturer at the Moscow Conservatory, as well as the author of various sound and multimedia interactive installations and performances. His lecture opens the CEAM Education project, consisting of a series of lectures and concerts about the history of electroacoustic composition. The <i>Artemiev</i> Art Space
25 September 2024
Lecture-concert by Ilya Kovalsky
Ilya Kovalsky, a sound engineer and member of the Moscow Conservatory’s Center for Electroacoustic Music, is giving a concert-research lecture with the use of some alternative methods of electronic sound production. The <i>Improschema</i> Festival. The Artemyev Center
26 April 2024
Lecture-concert by Dmitry Shubin (St. Petersburg)
A lecture-concert by Dmitry Shubin — a pianist, a painter, the founder and conductor of the St. Petersburg Improvisers’ Orchestra — at the Artemyev Center.
19 April 2024
“Interaction with Percussion,” a lecture-concert by <i>CEAM Percussion</i>
The Moscow Conservatory’s Center for Electroacoustic Music. The <i>Artemiev</i> art space
12 April 2024
Public Talk before the concert <i>Hypervoice</i>
<i>Biomechanics</i> talks as part of the Third <i>Biomechanics</i> Multimedia Festival. Moderator: Tatyana Yakovleva (musicologist). Speakers are the engineers of the Electroacoustic Music Center: Ilnur Gabidullin (audio), Ilya Kovalsky (sound), Igor Pavlov (light). Conference Hall
5 February 2024
“The Hypervoice”
The Third <i>Biomechanics</i> Multimedia Festival. Performers: <i>N’Caged</i>, CEAM Artists Soloists. The Rachmaninoff Hall
5 February 2024
Concert presentation of the composer Michael Beil
A meeting with the composer Michael Beil, a pioneer of multimedia composition, took place as part of a series of presentation concerts of the Third Multimedia Festival <i>Biomechanics</i>. The performers were soloists of the <i>CEAM Artists</i>. The <i>Artemiev</i> Art Space
4 February 2024
Public talk before the concert “Under Voltage”
<i>Biomechanics.talks</i> as part of the Third Festival <i>Biomechanics</i>. The Conservatory Conference Hall prior to the concert in the Rachmaninoff Hall
2 February 2024